Alyce Mojoy is a Belgian visual artist based in Brussels.

Her practice unfolds at the intersection of painting, movement, and perception. She approaches painting as a physical and embodied act, where gesture emerges from the body in motion rather than from a predefined composition.

The canvas is not treated as an image to construct, but as a space where gesture, rhythm, and material interact.

Influenced by internal states and sound, her work explores the tension between control and instinct. Through this process, painting becomes a direct extension of the body,
a place where movement, pressure, and repetition shape the image.

Dance plays a central role in her practice, allowing her to access a state where the body leads.
She often works with raw tools such as palette knives or improvised instruments; cards, cork, pushing, spreading, and stretching the material in a continuous dialogue with gesture.

Her paintings are not only visual compositions, but traces of experience — moments of intensity, transformation, and passage, felt before they are understood.

With a background in visual design, she developed a strong sensitivity to composition and rhythm, which she now redirects into a more experimental and embodied practice.

Her work was first exhibited in Brussels in 2026 and is referenced in the Women United Art Movement Artist Directory.

She is currently developing a research focused on the relationship between painting, movement, and natural forces.